Acting Out | Tranzit Days XXVIII

performance โ€” 15.10.2025 16:00

A performance by Mihai Lukรกcs.
Based on interviews and articles with Esther Magyar-Gonda and Katia Pascariu

๐‘ค๐‘–๐‘กโ„Ž ๐พ๐‘Ž๐‘ก๐‘–๐‘Ž ๐‘ƒ๐‘Ž๐‘ ๐‘๐‘Ž๐‘Ÿ๐‘–๐‘ข
๐‘†๐‘๐‘’๐‘›๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘โ„Ž๐‘ฆ / ๐‘๐‘œ๐‘ ๐‘ก๐‘ข๐‘š๐‘’ / ๐‘ฃ๐‘–๐‘‘๐‘’๐‘œ: ๐‘€๐‘–๐‘˜๐‘™๐‘œฬ๐‘ ๐‘– ๐ท๐‘’ฬ๐‘›๐‘’๐‘  ๐‘Ž๐‘›๐‘‘ ๐‘€๐‘–๐‘˜๐‘™๐‘œฬ๐‘  ๐‘†๐‘ง๐‘–๐‘™๐‘Žฬ๐‘Ÿ๐‘‘
๐ถโ„Ž๐‘œ๐‘Ÿ๐‘’๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘โ„Ž๐‘ฆ: ๐‘†๐‘–๐‘›๐‘˜๐‘œฬ ๐น๐‘’๐‘Ÿ๐‘’๐‘›๐‘
๐‘€๐‘ข๐‘ ๐‘–๐‘: ๐‘‚๐‘Ž๐‘›๐‘Ž ๐ป๐‘œ๐‘‘๐‘Ž๐‘‘๐‘’
๐ฟ๐‘–๐‘”โ„Ž๐‘ก ๐‘‘๐‘’๐‘ ๐‘–๐‘”๐‘›: ๐‘‡๐‘œฬˆ๐‘Ÿ๐‘œฬˆ๐‘˜ ๐ดฬ๐‘˜๐‘œ๐‘ 
๐‘†๐‘ก๐‘Ž๐‘”๐‘’ ๐‘ก๐‘’โ„Ž๐‘›๐‘–๐‘๐‘–๐‘Ž๐‘›: ๐ถ๐‘Ÿ๐‘–๐‘ ๐‘ก๐‘– ๐ผ๐‘Ž๐‘๐‘œ๐‘
๐‘ƒ๐‘Ÿ๐‘œ๐‘‘๐‘ข๐‘๐‘’๐‘Ÿ๐‘ : ๐ท๐‘–๐‘Ž๐‘™๐‘’๐‘๐‘ก๐‘–๐‘ ๐ถ๐‘’๐‘›๐‘ก๐‘Ÿ๐‘’ ๐‘Ž๐‘›๐‘‘ ๐‘‡๐‘Ÿ๐‘Ž๐‘›๐‘ง๐‘–๐‘ก ๐ป๐‘œ๐‘ข๐‘ ๐‘’

Tickets: https://eventbook.ro/theater/bilete-acting-out-1

"Acting Outโ€ revolves around the relationship between the artist and his body on stage, inspired by the revolutionary ideas of Esther Magyar-Gonda, a reference name in Romanian dance. Estherโ€™s life, characterized by political activism, passion for art and dedication to education, portrays a complex artist whose existence was closely linked to important historical events and personal challenges. Arrested for anti-fascist activities and deported to Transnistria because of her Jewish origin, after these experiences she gave up her career as a dancer and dedicated herself to developing and coordinating the official choreographic scene in Romania. Recognized for her innovative contributions to modern and contemporary dance in Romania, Esther Magyar-Gonda has developed a deep and original appreciation for gesture and expressive movement.
Her personal struggle is mirrored in actress Katia Pascariuโ€™s relationship to her own history and her contestation of a certain style of theatricality and typical corporeality. The performance highlights the artistโ€™s resilience in the face of difficulties and her connection to performance art and education.

โ€œActing Outโ€ proposes an in-depth exploration of the connection between dance, the body, local histories and the sense of alienation, where dance is perceived as an expression of labour and materialism that questions traditional transcendent and visceral concepts of the body.


The โ€œActing Outโ€ is based on archival research. The materials from the Bucharest National Dance Centerโ€™s archive were crucial for the artistic team in developing the performance.
/// We look forward to seeing you at ๐“๐ซ๐š๐ง๐ณ๐ข๐ญ ๐ƒ๐š๐ฒ๐ฌ ๐—๐—๐•๐ˆ๐ˆ๐ˆ, ๐›๐ž๐ญ๐ฐ๐ž๐ž๐ง ๐Ž๐œ๐ญ๐จ๐›๐ž๐ซ ๐Ÿ๐ŸŽ ๐š๐ง๐ ๐Ÿ๐Ÿ“, ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“.

This edition starts from the concept of ๐ก๐ž๐ญ๐ž๐ซ๐จ๐ญ๐จ๐ฉ๐ข๐š โ€“ understood as a real space (not utopian, meaning โ€œwithout placeโ€), yet layered with symbolic meanings and potentialities that reflect the society it belongs to.
Weโ€™re celebrating 28 years of Casa Tranzit through music, performances, round tables, book launches, and exhibitions!

/// Project co-financed by AFCN โ€“ Administration of the National Cultural Fund and the Department for Interethnic Relations (DRI). The project does not necessarily represent the position of the Administration of the National Cultural Fund. AFCN is not responsible for the content of the project or for how the results of the project may be used. These are entirely the responsibility of the funding beneficiary.


/// ๐’๐ฎ๐ฌ๐ญฬฆ๐ข๐ง๐ž ๐‚๐š๐ฌ๐š ๐“๐ซ๐š๐ง๐ณ๐ข๐ญ /// ๐“๐šฬ๐ฆ๐จ๐ ๐š๐ฌ๐ ๐š ๐“๐ซ๐š๐ง๐ณ๐ข๐ญ ๐‡๐šฬ๐ณ๐š๐ญ /// ๐’๐ฎ๐ฉ๐ฉ๐จ๐ซ๐ญ ๐‚๐š๐ฌ๐š ๐“๐ซ๐š๐ง๐ณ๐ข๐ญ: patreon.com/TranzitHouse
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